Margaux and Raphaël Blavy Collection
Contemporary African and Afrodescendant Art as a Curatorial Space Dedicated to Resistance, Memory and Transformation.
A Collection built for Artists, Exhibitions and Transmission.
Curatorial platform
A private collection understood as a living exhibition environment, a research structure, and a long-term commitment to contemporary African and diasporic artistic practices.
The collection is not presented as an inventory, but as a field of relations between artists, histories, places, exhibitions, and forms of cultural transmission.
01
Collection and Vision
A curatorial body of works engaging contemporary African and diasporic practices.
02
Exhibitions
Museum-like presentations, installation views, artists, publications, and archives.
03
Artists
Long-term relationships with artists whose practices shape the collection's thinking.
04
Reading Room
Acquisitions, texts, loans, partnerships, artist news, and cultural participation.
05
Château de Montgoger
A place where architecture, landscape, exhibition, and memory become one environment.
06
Contact
For institutions, sponsors, cultural partners, publications, and research inquiries.
Active cultural work
The collection is alive through exhibitions, support, loans, and writing.
Acquisition
Acquisition focus: material memory and repair
Recent acquisitions extend the collection's research into textile, assemblage, and the politics of transformed matter.
Place
Research note on Château de Montgoger
A curatorial essay in development examines the relationship between historic architecture, landscape, and contemporary African practice.
Partnerships
Institutional conversations and future loans
The collection is developing a framework for loans, cultural partnerships, publications, and public programmes.